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  1. Art in Review: All the livelong day (and night) - April 11, 1997

    Article in the Art in Review section in The New York Times about an exhibition of O. Winston Link photographic prints at the John McEnroe Gallery. The writer cites Link as a precursor of staged or set-up photographers and says that his "view of America might seem positively Rockwellian, except that his devotion to machines, the camera included, kept his art free of sentimentality."

    Record Type: Archive

    Newspaper article
  2. Art in Review: All the livelong day (and night) - April 11, 1997

    Article in the Art in Review section in The New York Times about an exhibition of O. Winston Link photographic prints at the John McEnroe Gallery. The writer cites Link as a precursor of staged or set-up photographers and says that his "view of America might seem positively Rockwellian, except that his devotion to machines, the camera included, kept his art free of sentimentality."

    Record Type: Archive

    Newspaper clipping
  3. Innocents at Home - April 7, 1997

    Article in New York magazine about three forms of American innocence on display in New York. One is the exhibition of O. Winston Link photographic prints of steam locomotive on display at the John McEnroe Gallery. The writer says that Mr. Link's "dream machines avoid becoming a sentimental prop of fifties Americana in the manner of, say, Norman Rockwell, because of their surpassing strangeness."

    Record Type: Archive

    Magazine article, page 1
  4. Innocents at Home - April 7, 1997

    Article in New York magazine about three forms of American innocence on display in New York. One is the exhibition of O. Winston Link photographic prints of steam locomotive on display at the John McEnroe Gallery. The writer says that Mr. Link's "dream machines avoid becoming a sentimental prop of fifties Americana in the manner of, say, Norman Rockwell, because of their surpassing strangeness."

    Record Type: Archive

    Magazine article, page 1

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